
Mrs Gargantua: Reports from Cuba
Winner of the 2020 Michael Jacobs Prize; shortlisted for the Eccles Centre & Hay Festival Writer's Award
'A treasure chest full of rare and exquisitely rendered stories' JON LEE ANDERSON
'An absolutely thrilling, erudite journey through the Cuban landscape' CHLOE ARIDJIS
A brilliantly unconventional and riveting ride through Cubaâs history, drawing on the David and Goliath dynamic of its confrontations with the US and other superpowers. It captures realities behind the fantastical, exoticised treatment Cuba often receives.
Mrs Gargantua deals with towering figures â both human and non-human â and ambitions which have left their mark on Cuba, the distorted means by which the island is often presented to the outside world. From Columbus and the conquistadores, Ptolemy to Paris Hilton, Hemingway, nuclear warheads and the prison camp at GuantĂĄnamo Bay, from a nationalist sparrow âmartyredâ during Cubaâs independence wars to Fidel Castroâs genetically modified super-cow, this non-fiction work exposes the countryâs status as a social and biological testing ground and resource to be mined by larger nations.
The bookâs title comes from an account of Maria Hoyt, a US heiress who raised a gorilla in Cuba (one of the first to do so beyond Africa). Later her pet was sold to a circus in the United States where she became a celebrity: the famous âMrs Gargantuaâ. Her story is directly linked to Hoytâs predecessor in monkey and ape husbandry, the Cuban RosalĂa Abreu; reputedly the richest woman in Latin America and a legendary recluse, Abreu became the first person in history â at her mansion in Havana â to breed a chimpanzee in captivity, with unexpected and far-reaching consequences.
Like 'Mrs Gargantua', Cuba has been endlessly subject to the whims of the human circus that tries to tame her.
The award-winning Mrs Gargantua forms an entirely original, compelling inventory of the authorâs twenty-year relationship with the island and its people, while also attempting to sketch Cubaâs wider importance to a political understanding of the Americas, both in tangible and imaginary terms.
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Description
Winner of the 2020 Michael Jacobs Prize; shortlisted for the Eccles Centre & Hay Festival Writer's Award
'A treasure chest full of rare and exquisitely rendered stories' JON LEE ANDERSON
'An absolutely thrilling, erudite journey through the Cuban landscape' CHLOE ARIDJIS
A brilliantly unconventional and riveting ride through Cubaâs history, drawing on the David and Goliath dynamic of its confrontations with the US and other superpowers. It captures realities behind the fantastical, exoticised treatment Cuba often receives.
Mrs Gargantua deals with towering figures â both human and non-human â and ambitions which have left their mark on Cuba, the distorted means by which the island is often presented to the outside world. From Columbus and the conquistadores, Ptolemy to Paris Hilton, Hemingway, nuclear warheads and the prison camp at GuantĂĄnamo Bay, from a nationalist sparrow âmartyredâ during Cubaâs independence wars to Fidel Castroâs genetically modified super-cow, this non-fiction work exposes the countryâs status as a social and biological testing ground and resource to be mined by larger nations.
The bookâs title comes from an account of Maria Hoyt, a US heiress who raised a gorilla in Cuba (one of the first to do so beyond Africa). Later her pet was sold to a circus in the United States where she became a celebrity: the famous âMrs Gargantuaâ. Her story is directly linked to Hoytâs predecessor in monkey and ape husbandry, the Cuban RosalĂa Abreu; reputedly the richest woman in Latin America and a legendary recluse, Abreu became the first person in history â at her mansion in Havana â to breed a chimpanzee in captivity, with unexpected and far-reaching consequences.
Like 'Mrs Gargantua', Cuba has been endlessly subject to the whims of the human circus that tries to tame her.
The award-winning Mrs Gargantua forms an entirely original, compelling inventory of the authorâs twenty-year relationship with the island and its people, while also attempting to sketch Cubaâs wider importance to a political understanding of the Americas, both in tangible and imaginary terms.























